The Chroma tribe, rooted in centuries-old beliefs, once respected only sober, monochrome tones as the rightful choice for humanity. However, an awakening within the tribe revealed the profound power and cultural significance of embracing the vivid colors of nature, previously avoided as omens of misfortune. This transformation gave birth to a spiritual journey, where the wool and yarn that crafted the collection became symbolic threads binding generations and preserving ancient weaving traditions. 

This one-of-a-kind collection explores four sets/rooms, each representing a color admired by the Chroma People, and what it means to them. The collection is based on an interval of time in the Chroma people’s lives: Green represents Dawn, Yellow represents Forenoon, Blue represents High Noon, and Red represents Dusk. It should be experienced in that order. 

Green: Symbolizing creativity and renewal, Green reflects the Chroma People’s embrace of new beginnings and the transformative energy of dawn. 

Yellow: Signifying daydreams and manifestation, Yellow showcases the power of thoughts and beliefs in weaving visionary potential into everyday life for the Chroma People. 

Blue: Capturing a journey of cleansing and purity, blue washes away negativity, leaving behind a vibrant canvas of endless possibilities and renewal for the Chroma People. 

Red: In the vivid hue of Red, the Chroma People express faith in their art, where each stroke becomes a sacred ritual, representing the divine essence infused into the fabric of life. 

“We’re thrilled to unveil the Tissage’s Chroma Collection, a tribute to the Chroma tribe’s profound connection with color. It encapsulates the heritage, spirituality, and vibrancy of embracing the full spectrum of colors found in nature,” said Angelique Dhama, CEO, of Obeetee Carpet. 

“We drew inspiration from the fictional tribe ‘Chroma,’ a community that discovers purpose in the reverence of color. The Chroma Collection is a journey of upliftment, weaving spirituality and craftsmanship into the very fabric of your spaces,” said Nikhil Kapoor, Creative Director of Tissage Rugs. 

This exquisite collection not only showcases the mastery of craftsmanship but also mirrors the rich tapestry of the human experience. Each piece reflects the intersection of ancient traditions with contemporary design, offering a glimpse into a world where color is valued as a divine essence.

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Manufacturing of the world’s largest handmade carpet had been commissioned for The Grand Mosque of Nur-Sultan, Kazakhstan, the largest mosque in Central Asia.

Manifesting the seemingly impossible

Covering an area of 12,000 m², the world’s largest handmade carpet stands as one of the rarest feats in the history of art.

Here are a few highlights of the colossal carpet.       

•     A 12,000 m² carpet with a medallion of 70 meters in diameter

●        80 tonnes of 100% New Zealand wool spun and dyed to perfection

●        The work of more than a thousand craftsmen, made over a period of 6 months

●        Installed in 50 days at the peak of the pandemic

●        The design is an extension of two things: one, the circle with 8 axes that form the centrepiece of the main courtyard; and two, the mosque gardens that draw design inspiration from Jannat-ul-Firdaus

This rare accomplishment in carpet-making artistry and scale is not just a product of masterful craftsmanship but also of a manufacturing process driven by excellence. From the spinning of the yarn to the installation of the carpet on-site, everything was executed by Hands.

Among others, the company’s manufacturing prowess includes: 

●        A production capacity of over 25,000 m² per month

●        A vertically integrated production process for quality control at every level

●        In-house dyeing of yarns for countless color options

●        A highly experienced installation team to finish the job at the site

Perfection in every detail

Often, it can take just one small structural deficiency to create a problem that will manifest only when the carpet is being installed. Hands’ in-house Planning and Estimation units, therefore, worked to provide immediate assistance and guidance when required. Taking every detail of the mosque’s architecture into account: the principal chandelier, the corners, the flooring, the converging walls, the pillars, and much more.

Communication is key, and as always, a highly flexible model of collaboration was adopted – both at the development stage and even after production. The client’s designers got to understand all aspects of production and at the same time team Hands brought their experience to help assist and innovate.

Today, as the carpet lies in its permanent abode, The Grand Mosque of Nur-Sultan, it tells a compelling tale of hands that have honored time and tradition. Elevating creativity and its scale. For the world to behold.

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