The festival at the National Museums of Kenya addresses the growing plastic pollution crisis by demonstrating practical, culturally rooted solutions that create jobs, reduce environmental harm, and cut the billions governments spend on clean up, incineration, and health costs associated with throwaway plastic culture.

KEY EVENTS:

1. MEDIA BRIEFING

Date: Friday, November 14, 2025
Time: 10:00 AM – 11:00 AM
Venue: National Museums of Kenya, Nairobi

2. REFILL AND REUSE FESTIVAL DETAILS

Day 1 – Policy Dialogues
Date: Friday, November 14, 2025
Time: 9:00 AM – 1:00 PM

Program Highlights:

• Media Briefing
• Panel Discussions
• Refill and Reuse Exhibition

Day 2 – Public Festival: “Experience, Refill, Reuse: A Sustainable Lifestyle for All”
Date: Saturday, November 15, 2025
Time: 9:00 AM – 5:00 PM
Target Audience: General public, families, schools, artists, innovators

Program Highlights:

• Hands-on refill stations and zero-waste exhibitions
• Children’s upcycling art competitions
• Live music performances and poetry sessions
• Storytelling circles and interactive refill challenges with prizes
• Demonstrations of traditional African reuse practices

Admission: Free and open to the public

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Starting in 2017, Westend Tiger Trail has emerged as a key aspect of the mall’s CSR initiatives, aimed at fostering tiger conservation, promoting tiger tourism, and encouraging wildlife photography.

The event will feature a captivating exhibition of stunning tiger photographs submitted by wildlife photographers from across India. To engage the community further, the mall will also host a drawing competition on the theme ‘Save the Tiger’ for school children, along with a quiz for mall visitors. The event will culminate in an awards ceremony where renowned wildlife photographers such as Shivang Mehta, Rahul Sachdev, Sudhir Shivaram, and Sushil Chikane will judge the entries and recognize the top talents.

Over the years, Westend Tiger Trail has garnered immense support from various brands and organizations such as Panna Tiger Reserve, Guard Board, RESQ, Greeto Resorts Wildcraft, Woodland, Helios, and others. This year promises to be even bigger and better. The latest edition in 2023 attracted over 350 participants and more than 1000 images, with the Chief of the Forest Department gracing the event and commending the efforts.

Join us in celebrating the event and showing our support and efforts in promoting wildlife conservation. The “Westend Tiger Trail” promises an engaging and educational experience for all attendees.

Event Details-

• When: 27th July to 29th July 2024
• Location: Nexus Westend Mall, Pune
• Time: 12 pm – 8 pm

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Time: Open daily from 11 am to 6 pm except Mondays and Tuesdays. Address -Method Kala Ghoda, 86, Nagindas Master Rd, Kala Ghoda, Fort, Mumbai, Maharashtra 400001

MUMBAI: Method Kala Ghoda presents ‘Electric Floral Fantasy’ Eeshani Mitra’s second solo with Method and her first solo exhibition at Method – Kala Ghoda, Mumbai where Mitra lives and works. This new body of work includes a series of printed photographic installations, video installations, and wax works, the exhibition continues Eeshani’s exploration of natural and synthetic materials, giving rise to works where the foreign and the familiar collide. With her abstract photographic compositions that are created by employing a range of image production techniques, she creates a dialogue between the natural and the unnatural, immersing the viewer in the details of its elements. 

Extending beyond traditional narratives and formats, the body of work is a window to a surreal world, which is scanned and sometimes molded in wax by the artist. Interested in the physical interaction of the viewer and the work, Mitra’s wax works invite the viewers to touch and investigate the surface of her immersion experiments. Textures emerge, as the nooks and groves that tend to go amiss show themselves amongst the space occupied in the wax by floral articles, nylon, paints, plastic, moss, and other organic materials.

Eeshani finds inspiration in an emulsive blend of organic and inorganic materials. Her work starts with elements that intrigue her. She observes and understands how the pieces come together, creating textures and patterns each unique to the blend, resulting in compositions that are surreal and dreamlike. 

The artist experiments with a range of drying and blending techniques with the materials while at the same time preserving a balance of elements in her compositions. The textures created in her images are a result of playing with different viscous mediums such as oils, glycerin, detergent, colors, and water. These mediums are placed in a flat-bottomed glass container, where she mixes each synthetic element independently in steps to discern the formation of textures slowly before adding organic materials such as flowers, leaves, and moss.

For her images, she makes use of a large format scanner, capturing the highly detailed textures and minutia of her emulsions. Aside from using glass containers for holding the mediums while scanning, Eeshani often drains out the remaining liquids and transfers them between plastic sheets. These sheets are then carefully placed over the scanner glass and manipulated by hand while the machine begins to scan the ever-changing shapes created by these distortions. 

Through multiple attempts by the scanner to create imaging of the fluid compositions, the artist finds and enhances the parts that speak to her. 

To make the wax sculpture work, Eeshani begins by melting natural wax in a deep container placed over a hot water bath. Gradually, she adds colors and selects various elements such as preserved floral articles, acrylic, and plastic color gels. She frequently integrates pieces of moss such as preserved reindeer lichens, which are meticulously positioned inside a square silicone mold. Subsequently, she pours the molten wax over them and adds additional layers of elements on top.

Once the sculpture is prepared and repoured for vibrancy, the mold is set aside to prevent dust accumulation during the curing process. It remains undisturbed for a day before being removed from the mold.

Eeshani Mitra is a visual artist and zine maker. Her work spans various media, including photography, video installation, sound, print, and sculpture. By employing a range of image production techniques, she juxtaposes common objects—floral articles, linen, wax, vinyl, and other synthetic materials—to create vivid imagery where the foreign and the familiar seem to collide. Eeshani lives and works between Kolkata and Mumbai.

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MUMBAI: Method Bandra presents ‘Where India Dries Its Clothes’ a solo exhibition by Karan Khosla, a photographer, filmmaker, and writer.  This exhibition is an evocative photographic series capturing a decade of observation and travel across the diverse landscapes of India by Karan Khosla. This intimate collection focuses on the universal act of drying clothes, a mundane yet poignant activity that transcends geographical, social, and economic boundaries.

Artist’s Statement :
‘Where India Dries My Clothes’ is an intimate visual exploration born from a decade-long observation during my extensive travels across India. What began as an exercise that was simply visually interesting has evolved into a unique reflection on the intricate lives and landscapes that define this diverse nation. The series encapsulates the universal act of drying clothes, one that transcends geographical,  social, and economic boundaries. From nomadic tribes in Gujarat to remote villages in North  Sikkim, from bustling urban areas to remote mountain communities, this collection reflects the omnipresent nature of this everyday chore, highlighting this shared experience despite varied circumstances.

The images traverse the length and breadth of India, capturing moments in ordinary settings: from  Covid vaccination camps in the slums of Bombay to the remote villages of Meghalaya, from surf schools in Karnataka to prime tiger territories in Pench.

Beyond the visual aesthetic, my intention behind this project is rooted in a desire to challenge prevailing narratives about India. As a photographer, I am committed to portraying the authentic essence of everyday existence without ‘exoticizing’ it for external consumption.  There wasn’t a grand blueprint for this project; rather, it emerged organically from my travels and observations. It’s a celebration of the simplicity and complexity found in the mundane aspects of life. The series doesn’t aim to revolutionize but to present an earnest portrayal of a subtle yet significant aspect of life in India.

So far the project has been largely incidental, where I was traveling for a work shoot or leisure and have actively searched for people drying their clothes, often hurriedly and with limited time on my hands. I have not had the resources to travel with the sole purpose of shooting for this project.

With the help of the grant, I intend to delve deeper into this project and travel with more purpose concerning the project, hopefully culminating in a photo book and a show at a gallery, for which I will need help reaching out to curators and editors, allowing these photographs to transcend their digital existence and share the stories with a wider audience.  

‘Where India Dries My Clothes’ is an ongoing testament to the beauty and unity found in the every day, inviting viewers to appreciate the nuances of life across this beautifully diverse country.  Through these images, I aim to evoke a sense of connection and understanding, bridging the gap between the familiar and the unfamiliar, the ordinary and the extraordinary.

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IIEV offers a dynamic platform for manufacturers, enthusiasts, and industry leaders to converge and explore the vast potential of sustainable mobility. The exhibition will feature a diverse range of products and services, from electric cars and bikes to e-rickshaws and sustainable charging infrastructure. IIEV is not only a showcase of innovative solutions but also a testament to the country’s dedication to reducing carbon emissions, improving air quality, and driving sustainable change.

India aims to become a global leader in the electric vehicle (EV) sector by 2030, with the two-wheeler segment expected to achieve this goal even earlier. With a remarkable surge of over 200% in the registration of electric vehicles (EVs) during the last financial year (2022-23), compared to 8,668 registrations in 2021-22, Pune, a prominent automotive hub, is at the forefront of EV research, innovation, and production.

Pune’s expertise in manufacturing and R&D has been a driving force behind the growth of the electric vehicle market, making it an ideal location for hosting IIEV. Attendees at IIEV will have the opportunity to experience the latest EVs, engage with experts, and explore the future of electric transportation. The event offers a diverse range of sessions, panel discussions, and networking opportunities, attracting manufacturers, policymakers, environmentalists, tech enthusiasts, and the public.

IIEV 2023 is poised to host over 20,000 visitors from all over India and around the world, making it the most significant gathering of its kind, providing attendees with a truly global perspective on the EV industry. This collaborative effort is proudly co-organized with Globe-Tech Media, supported by the Automotive Research Association of India (ARAI), the International Centre for Automotive Technology (ICAT), the India Energy Storage Alliance (IESA), Skill Council for Green Jobs (SCGJ), and the esteemed Indian Institute of Technology (IIT-Mumbai).

In addition, the event receives invaluable support from key organizations such as the Society of Manufacturers of Electric Vehicles (SMEV), the Federation of Automobile Dealers Associations (FADA), and the Electric Mobility Financiers Association of India (EMFAI). These influential contributors and exhibitors include KEI CABLES, LUCAS TVS, MUSASHI AUTO, SEMCO INFRATECH, KK LIGHTING, REDON BATTERIES, NIKOL EV, DRS AUTO, IPC International, and more.

The India International EV Show (IIEV) is set to be the most significant gathering of its kind, providing attendees with a truly global perspective on the EV industry. With over 20,000 visitors expected from all over India and around the world, the exhibition promises to showcase the latest innovations, eco-friendly transportation solutions, and visionary initiatives in the ever-evolving electric vehicle industry.

Mr. Namit Gupta, Director of the Futurex Group (the Event Organizing Company), stated, “India’s electric vehicle market is no longer a niche; it’s a thriving industry that has captured the imagination of the nation. With approximately 2.8 million EVs on Indian roads, the market is poised for exceptional growth, projected at a remarkable 94.4% CAGR by 2030. This indicates that the transition to electric vehicles is not a matter of ‘if’ but ‘when’ and underscores the nation’s commitment to a sustainable future.“

IIEV is dedicated to promoting sustainable transportation and raising awareness of the positive impact of EVs on the environment and public health, contributing to a more sustainable future. Futurex Trade Fair and Events Private Limited, a leading event management company committed to delivering customized, cost-effective, and sustainable solutions, is organizing the exhibition. Their dedicated team ensures that their exhibitions, seminars, corporate events, and get-togethers serve as dynamic business platforms that connect businesses with potential buyers and industry experts.

The post India’s Largest EV Exhibition to be Hosted in Pune from December 1 appeared first on NRI News.

PUNE: Art connoisseurs will greatly enjoy the painting exhibition ‘Ways to Remember’ organized by VCW Academy of Fine Arts as it celebrates its 25th year of mentoring art. A varied collection of paintings by the ABCD batch, namely ‘Adults Batch Can Draw’ of VCW Academy of Fine Arts is set to be inaugurated at the city’s Raja Ravi Varma Art Gallery, Ghole Road on the special occasion of Teacher’s Day, September 5th. This group art exhibition is jointly supported by the Art Pune Foundation. Art lovers and enthusiasts can visit it from 5th to 10th September between 11 am to 7 pm. Additionally, interactive sessions with Researchers and Experts about Innovative Education, Art, and Archaeology will also be conducted during the exhibition days.

Entry to the exhibition and all the interactive sessions is free and open to all.

Special guests like Gangadharan Menon, a recipient of over 50 national and international awards, renowned writer, teacher, and painter, Prof. Rajani Paranjpe, founder of Doorstep School, and Vijaya Dilip Chitre will be present at the inaugural ceremony.

The paintings of adult students and faculty members of VCW Academy of Fine Arts are themed around memories, and how art has helped them to rekindle their creativity. This ABCD batch of students has adults from different professions barring no age limit. Interestingly, this batch has more mothers and senior citizens, along with their oldest student who is 84 years old.

To honor VCW’s unique and illustrious contribution to art education, special dialogue sessions with experts who are renowned for their innovative teaching methods are being organized from 5 to 6 p.m. on the given days. A workshop on Natural Learnings for Grandparents will be held on Wednesday, 6th September by Ranjana Baji, writer and researcher. On Friday, 8th September, Dr. Anagha Kusum, visual anthropologist and educator will conduct an interactive session on Art and Archaeology. Renu Gavaskar, writer, educator, and social worker will be involved in conducting an interactive session on parenthood and nurturing children on Saturday, 9th September.

While expressing her thoughts about art, Minoo Sadwelkar said, “Art and painting help in relieving stress. Art allows you to freely express yourself and experiment with it. It knows no age and limits and it does not even judge you!” About the exhibition, she highlighted, “We believe that an artist breathes within each one of us. While VCW Academy of Fine Arts started off with teaching children, many adults approached us, seeking guidance to restart their artistic endeavors. This exhibition celebrates the journey of our adult students from various walks of and stages of life.”

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