Homeopathy is a mild yet powerful system of medication based on the principle “Similia Similibus Curentur,” which means “like cures like.” This concept became scientifically established with the aid of Dr. Christian Fredrick Samuel Hahnemann, a German doctor in the 18th century. Although the belief in treating similar suffering with similar therapeutic agents was observed by Hippocrates and Paracelsus, however, it was Hahnemann who grounded it scientifically in an era where modern-day laboratory methods had been scarcely recognized.

Etymology and principles

The term “homeopathy” derives from the Greek words “homeos” (similar) and “pathos” (suffering). Homeopathy believes that a substance causing specific symptoms in a healthy person can cure those same symptoms in a sick person when administered in small amounts. Homoeopathy’s approach is both individualistic and holistic, treating the affected person as a whole entity rather than simply focusing on isolated symptoms. Homeopathy acknowledges the uniqueness of each patient, necessitating tailored remedies based on their distinct genetic structure and expressions.

Sources of remedies

Homeopathic remedies are derived from a variety of sources which include flowers, minerals, and different natural resources. Through mechanisms such as mobilization and potentiation, the chemical properties of these compounds are enriched and toxicity is reduced. The medicines are then examined on healthy subjects to determine healing capacity, and the findings are documented for future use.

Homeopathy works by stimulating the body’s defense machinery to naturally fight disease conditions. It creates a simulated sickness state, thereby correcting dysfunction and promoting recovery. Homeopathy is becoming globally popular, with scientific trials and systematic evaluations published, confirming its effectiveness. Research institutes are now more focused on building scientific proof to aid homeopathy.

Homoeopathy in India

India, with its wide population and socio-financial landscape, integrates homeopathy as a considerable part of its healthcare system. Homoeopathy has been practiced in India for over a century and plays an important role in supplying healthcare to millions. The Ministry of AYUSH reviews a consistent boom in homeopathy’s usage, with an annual increase of 26.3%, making it the second most famous branch of medication in the country.

Global Scenario of Homoeopathy

Globally, over two hundred million people use homeopathy frequently, with established practice in more than 80 countries. It has legal acceptance in 42 countries and is a part of complementary and alternative medication in 28 countries. The World Health Organization (WHO) considers homeopathy one of the most commonly used types of Traditional and Complementary Medicine.

Therapeutic approaches

Homoeopathy emphasizes correct and unprejudiced observation primarily based on scientific medical investigation of both disease and patient. The diagnosis includes individual patient traits, past ailments, family clinical history, mental and emotional stability, and environmental factors that might irritate or alleviate the patient’s circumstance. Homoeopathy is powerful in treating chronic diseases with constitutional bases and heals psychotic, psychoneurotic, and psychosomatic problems.

Scope and advantages

Homoeopathy has been used to deal with various situations, including musculoskeletal problems, pediatric complaints, dermatological problems, autoimmune sicknesses, psychosomatic disorders, lifestyle problems, and allergic reactions. It also gives comforting care in cases like cancer, terminal ailments, and HIV/AIDS, enhancing patient’s quality of life.

The advantages of homeopathy consist of its safety, effectiveness, and use of natural substances in minimum doses, making it appropriate for pregnant women, babies, children, and the elderly. Homeopathic medicines enhance the body’s self-protective mechanisms without causing microbial resistance.

Dismissal of Homeopathy by Popular Platforms

Nowadays, several popular platforms have rejected homeopathy because it is pseudoscience. This happens due to a lack of insight and appreciation for the principles behind homeopathic medicine. Critics argue that highly diluted remedies in homeopathy do not have any active ingredient thus its effectiveness is questionable. However, this perspective overlooks the individualized and holistic approach of homeopathy which aims at stimulating the body’s innate healing mechanism.

Sadly this could lead people away from trying out homeopathy as an option to be considered among others. For individuals who may benefit from its gentle yet powerful therapeutic option, negative perceptions about homeopathy by mainstream publications can act as a genuine roadblock. The full potential of homeopathy in contexts where it has demonstrated positive outcomes remains untapped. This scenario highlights the need for a broader and more open-minded investigation into alternative therapies that could complement conventional medical treatments.

Conclusion

Homeopathy is a secure, mild, and natural system of healing, making it a valuable component of the healthcare system. Its affordability and effectiveness make it a favored choice for treating chronic, acute, and lifestyle-related problems. Homoeopathy offers preventive, promotive, and curative care, reinforcing its function as a comprehensive complementary therapy. Given these benefits, it is essential to approach homeopathy with an open mind, recognizing its potential as a complementary medicine field.

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Time: Open daily from 11 am to 6 pm except Mondays and Tuesdays. Address -Method Kala Ghoda, 86, Nagindas Master Rd, Kala Ghoda, Fort, Mumbai, Maharashtra 400001

MUMBAI: Method Kala Ghoda presents ‘Electric Floral Fantasy’ Eeshani Mitra’s second solo with Method and her first solo exhibition at Method – Kala Ghoda, Mumbai where Mitra lives and works. This new body of work includes a series of printed photographic installations, video installations, and wax works, the exhibition continues Eeshani’s exploration of natural and synthetic materials, giving rise to works where the foreign and the familiar collide. With her abstract photographic compositions that are created by employing a range of image production techniques, she creates a dialogue between the natural and the unnatural, immersing the viewer in the details of its elements. 

Extending beyond traditional narratives and formats, the body of work is a window to a surreal world, which is scanned and sometimes molded in wax by the artist. Interested in the physical interaction of the viewer and the work, Mitra’s wax works invite the viewers to touch and investigate the surface of her immersion experiments. Textures emerge, as the nooks and groves that tend to go amiss show themselves amongst the space occupied in the wax by floral articles, nylon, paints, plastic, moss, and other organic materials.

Eeshani finds inspiration in an emulsive blend of organic and inorganic materials. Her work starts with elements that intrigue her. She observes and understands how the pieces come together, creating textures and patterns each unique to the blend, resulting in compositions that are surreal and dreamlike. 

The artist experiments with a range of drying and blending techniques with the materials while at the same time preserving a balance of elements in her compositions. The textures created in her images are a result of playing with different viscous mediums such as oils, glycerin, detergent, colors, and water. These mediums are placed in a flat-bottomed glass container, where she mixes each synthetic element independently in steps to discern the formation of textures slowly before adding organic materials such as flowers, leaves, and moss.

For her images, she makes use of a large format scanner, capturing the highly detailed textures and minutia of her emulsions. Aside from using glass containers for holding the mediums while scanning, Eeshani often drains out the remaining liquids and transfers them between plastic sheets. These sheets are then carefully placed over the scanner glass and manipulated by hand while the machine begins to scan the ever-changing shapes created by these distortions. 

Through multiple attempts by the scanner to create imaging of the fluid compositions, the artist finds and enhances the parts that speak to her. 

To make the wax sculpture work, Eeshani begins by melting natural wax in a deep container placed over a hot water bath. Gradually, she adds colors and selects various elements such as preserved floral articles, acrylic, and plastic color gels. She frequently integrates pieces of moss such as preserved reindeer lichens, which are meticulously positioned inside a square silicone mold. Subsequently, she pours the molten wax over them and adds additional layers of elements on top.

Once the sculpture is prepared and repoured for vibrancy, the mold is set aside to prevent dust accumulation during the curing process. It remains undisturbed for a day before being removed from the mold.

Eeshani Mitra is a visual artist and zine maker. Her work spans various media, including photography, video installation, sound, print, and sculpture. By employing a range of image production techniques, she juxtaposes common objects—floral articles, linen, wax, vinyl, and other synthetic materials—to create vivid imagery where the foreign and the familiar seem to collide. Eeshani lives and works between Kolkata and Mumbai.

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The UmbrellArt Project is a public art initiative by Method to add a little color to the streets of Mumbai while keeping functional utility in mind. 5 artists have contributed original designs for consumer umbrellas. For each umbrella purchased, one large garden-sized umbrella is donated to an outdoor street vendor to shelter them from the sun and rain.

Each umbrella features a unique digital print on a pongee canopy, meticulously stitched onto a fiber frame. The handles are coated with rubber, providing a sturdy and ergonomic grip. There are two types of umbrellas available in limited stock. The Consumer Umbrella measures 27 inches. If pre-booked, it is priced at INR 4000, while the catalog price is INR 4750. The Garden Umbrella measures 48 inches, with a pre-booking price of INR 6000 and a catalog price of INR 7000. The pre-booking price offer will end on 12th June 2024.

Available on – https://themethod.art/collections/the-umbrellart-project-2024 

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